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Chapter 1

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  • Preproduction encompasses all of the following EXCEPT
  • when the camera starts rolling.
  • when location scouting occurs.
  • when funds are raised.
  • when a crew is assembled.

ANSWER: a

  • In the 1990s, independent films were typically financed
  • with leftover money from the major movie studios.
  • through presales of distribution or broadcast rights.
  • with the director’s personal funds.
  • by working with large financial institutions.

ANSWER: b

  • A location scout’s job is to
  • decide on the location and position of each section of the production team.
  • determine the places that provide the most suitable environment for the movie.
  • construct and rent out soundstages to filmmakers.
  • suggest to the screenwriter where the movie should be set.

ANSWER: b

  • When did the practice of identifying which actors would work best for which scripted roles emerge?
  • in the 1920s
  • in the 1800s
  • in the 1940s
  • in the 1910s

ANSWER: d

  • After 1915, most films were distributed with running times of
  • 200 to 215 minutes.
  • 90 to 120 minutes.
  • 15 to 30 minutes.
  • 10 to 20 minutes.

ANSWER: b

  • Releasing a film in as many locations as possible, as soon as possible, is called
  • block booking.
  • an engagement.
  • saturation booking.
  • (The Film Experience, 6e Timothy Corrigan, Patricia White) (Test Bank all Chapters) 1 / 4

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Chapter 1

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  • a limited release.

ANSWER: c

  • Which of the following is NOT an example of an ancillary market?
  • small local theaters
  • internet streaming
  • Blu-ray
  • video on demand (VO

ANSWER: a

  • Which film is given as an example of a film that found a greater audience after its original theatrical release?
  • The Matrix
  • Lawrence of Arabia
  • Reservoir Dogs
  • It’s a Wonderful Life

ANSWER: d

  • The timing of exhibition affects
  • the profit a movie makes in its initial run.
  • the critical reception a movie receives.
  • the audience’s attitude toward that movie.
  • whether or not that movie is likely to receive a sequel.

ANSWER: c

  • Film trailers and billboards are examples of which stage of the moviemaking process?
  • production
  • marketing and promotion
  • distribution
  • movie exhibition

ANSWER: b

  • Discuss how the three very different films Ryan Coogler released between 2013 and 2018 illuminate how
  • film production, distribution, and exhibition shape our encounters with movies.

ANSWER:

  • What are the consequences of the evolving patterns of video distribution? Give two examples of how video
  • distribution might affect local responses, tastes, and expectations.

ANSWER:

  • Explain how the timing of movie exhibition can vary and how that can influence other considerations about 2 / 4

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Chapter 1

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the movie being watched.

ANSWER:

  • Explain two major differences between film exhibition as leisure time and film exhibition as productive
  • time.

ANSWER:

  • What effect might be created for the film viewer when two promotional tactics create different sets of
  • expectations about a movie?

ANSWER:

  • / 4

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Chapter 2

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  • The “Biograph Girl” was
  • Florence Lawrence.
  • Birt Acres.
  • D. W. Griffith.
  • Mary Pickford.

ANSWER: a

  • For many historians, cinema history began with the first screening of which film?
  • The Derby
  • Workers Leaving the Lumière Factory
  • Fred Ott’s Sneeze
  • The Lonedale Operator

ANSWER: b

  • Which statement accurately describes German expressionist cinema?
  • It focused on the unconscious and irrational sides of the human experience.
  • It avoided making any political statements that might alienate viewers.
  • It celebrated the excesses of human life though big musical productions.
  • It emphasized historical and documentary subjects.

ANSWER: a

  • Germaine Dulac’s The Seashell and the Clergyman (1928) is an example of
  • Third Cinema.
  • an impressionist film.
  • dialectical montage.
  • Italian neorealism.

ANSWER: b

  • Which of these was a “Big Five” studio?
  • Universal
  • Disney
  • 20th Century Fox
  • Columbia

ANSWER: c

  • The Motion Picture Production Code had all of these effects on the film industry EXCEPT
  • averting the threats of local censors.
  • keeping censorship efforts within the industry.
  • decreasing profits for compliant cinemas.
  • / 4

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